![]() After "Ceremony" twists and turns through haunted vocal harmony and a visceral groove, "Urantia" whips thrash riffs and jackhammer percussion into a frenzy, with the bottom dropping out to reveal a mid-song hip-hop break before the band coalesces in a final explosion that sounds like it could be a Tool song. ![]() Binding it all together, Frank Delgado weaves sci-fi synths and ominous atmospherics throughout the set, creating a soundtrack to this dark dystopian vision that reaches a peak on "The Spell of Mathematics" and "Pompeji." This synergy is apparent from the outset on the aptly titled "Genesis," an epic opener that hits the restart button while Moreno threatens, "Watch how wild it gets." As the band's towering wall of sound crashes down in a buzzing cacophony, Ohms blazes forth without looking back. Bassist Sergio Vega and drummer Abe Cunningham bounce and bash, marking a return to groove that is rarely heard in their late-era output. Chino Moreno's vocals stun, careening from fevered hush to unhinged shriek without notice, while Stephen Carpenter returns to center stage armed with a bounty of riffs and a nine-string guitar. As a unit, they haven't sounded this refreshed in years. Playing upon the concepts of resistance and polarity implied by the album's title, Deftones take their signature beauty-meets-brutality assault, searching for balance across a tightly focused ten tracks. Their most accessible work since 2000's White Pony, Ohms offers listeners plenty of substance to grab on to: for the first time in a while, tightly executed songs take precedence over heady ideas, resulting in a deeply effective and satisfying experience that balances their eras. Reuniting with producer Terry Date, the man behind their first four efforts (five, counting the unreleased Eros), the band attacks with full power, reinvigorated, hungry, and at a creative apex. At the dawn of their fourth decade together as a band, alt-metal stalwarts Deftones crafted one of the best albums in their catalog, Ohms.
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